Round for six; in seven parts (1st
Ed., 1650).
An illustration shows American numbering – anticlockwise
An illustration shows American numbering – anticlockwise
MUSIC | MOVEMENTS | |
First Part. | ||
A1 | 1–4 | Hands-six eight slips clockwise. |
5–8 | Partners set and turn single. | |
A2 | 1–4 | Hands-six eight slips counter-clockwise. |
5–8 | Partners set and turn single. | |
B | 1–4 | First man sets to his partner and turns single. |
5–8 | First woman sets to her partner and turns single. | |
C | 1–2 | First man honours his partner. |
3–4 | Second man the same. | |
5–6 | Third man the same. | |
7–8 | Partners honour each other. | |
D | 1–4 | Partners turn. |
5–8 | Each man turns the woman on his left. | |
Second Part. | ||
A1 | 1–8 | First man leads his partner forward eight steps and falls back eight steps. |
A2 | 1–8 | First man leads his partner forward betewwn second and third couples; they cast off, the man to his left, the woman to her right, and return to places, passing behind the third and second couples respectively. |
B | 1–4 | First woman sets to second man and turns single. |
5–8 | Second man sets to first woman and turns single. | |
C | 1–2 | First woman honours the man on her right. |
3–4 | Second woman the same. | |
5–6 | Third woman the same. | |
7–8 | Partners honour. | |
D | 1–8 | As in First Part. |
Third Part. | ||
A1, A2 | As in Second Part, first woman leading second man between third man and third woman. | |
B | 1–4 | Second man sets to his partner and turns single. |
5–8 | Second woman sets to her partner and turns single. | |
C | 1–2 | Second man honours his partner. |
3–4 | Third man the same. | |
5–6 | First man the same. | |
7–8 | Partners honour. | |
D | 1–8 | As in First Part. |
Fourth Part. | ||
A1, A2 | As in Second Part, second man leading his partner between first and third couples. | |
B | 1–4 | Second woman sets to third man and turns single. |
5–8 | Third man sets to second woman and turns single. | |
C | 1–2 | Second woman honours the man on her right. |
3–4 | Third woman the same. | |
5–6 | First woman the same. | |
7–8 | Partners honour. | |
D | 1–8 | As in First Part. |
Fifth Part. | ||
A1, A2 | As in Second Part, second woman leading third man between first man and first woman. | |
B | 1–4 | Third man sets to his partner and turns single. |
5–8 | Third woman sets to her partner and turns single. | |
C | 1–2 | Third man honours his partner. |
3–4 | First man the same. | |
5–6 | Second man the same. | |
7–8 | Partners honour. | |
D | 1–8 | As in First Part. |
Sixth Part. | ||
A1, A2 | As in Second Part, third man leading his partner between first and second couples. | |
B | 1–4 | Third woman sets to first man and turns single. |
5–8 | First man sets to third woman and turns single. | |
C | 1–2 | Third woman honours the man on her right. |
3–4 | First woman the same. | |
5–6 | Second woman the same. | |
7–8 | Partners honour. | |
D | 1–8 | As in First Part. |
Seventh Part. | ||
A1, A2 | As in Second Part, third woman leading first man between second man and second woman. | |
B | 1–8 | As in First Part. |
C | 1–8 | As in First Part. |
D | 1–8 | As in First Part. |
Page transcribed by Hugh Stewart