Longways for as many as will; in two parts (1st Ed., 1650).
| MUSIC | MOVEMENTS | |
| First Part. | ||
| A | 1–4 | All lead up a double and fall back a double to places (r.s.). |
| 5–8 | That again. | |
| B | 1 | First man faces up and moves two slips to his left. |
| 2 | First woman faces up and moves two slips to her right. | |
| 3 | First man slips back to his place. | |
| 4 | First woman slips back to her place. | |
| C | 1–4 | First man and first woman face each other, fall back a double, and move forward a double to places (r.s.). |
| D | 1 | First man and first woman clap hands on the first beat of the bar, and strike their right hands together on the middle beat. |
| 2 | Same again, striking left hands together. | |
| 3 | First man claps hands on the first beat of the bar, and strikes his chest with both hands on the middle beat; while the first woman does the same. | |
| 4 | First man and first woman strike both their hands together (right on left and left on right) on the first beat of the bar. | |
| 5–8 | All that again, striking left hands first. | |
| Second Part. | ||
| (Duple minor-set.) | ||
| A | 1–4 | First and second men side; while first and second women do the same (r.s.). |
| 5–8 | First and second men go a single to the right and honour, and then change places, passing by the left; while first and second women do the same (progressive). | |
| B | 1–4 | As in First Part, first and second men doing as the first man did, first and second women as the first woman did. |
| C | 1–4 | All four fall back a double and move forward a double to places (r.s.). |
| D | 1–8 | Both couples do as first man and first woman did in First Part. |
It will probably be found more effective to omit the First Part altogether. | ||
Page transcribed by Hugh Stewart